PC Archives - Page 3 of 3 - The Greatest Game Music

Streets of Rage 4: Mr. X Nightmare Soundtrack

Streets of Rage 4: Mr. X Nightmare Soundtrack, Tee Lopes, 2021

The renaissance of 2d gaming, which kicked off in the 2010s, wasn’t just a boon for indie gaming. Enterprising developers successfully revived classic franchises that had lain dormant – and among them was Streets of Rage. 2020’s Streets of Rage 4 arguably didn’t break any new ground, but it was a skilfully executed take on perenially satisfying beat’em up mechanics. Commercial success followed strong reviews – a year after launching, the game had sold over 2.5 million copies worldwide. Of course, that meant DLC would soon follow and indeed arrived in the shape of Streets of Rage 4: Mr. X Nightmare. The expansion’s main addition was a new Survival Mode (seemingly inspired by roguelikes), three new playable characters and a more challenging difficulty level.

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Taikou Risshiden V Soundtrack

Taikou Risshiden V Soundtrack, unknown composer, 2004

There’s no doubt that Koei’s most prominent franchises of historical war simulations are Romance of the Three Kingdoms and Nobunaga’s Ambition – both of them spanning several dozen games and ports. However, Koei worked through this particular subject matter in other games as well – enter the Taikou Risshiden titles. The first game in this particular franchise – almost unknown outside of Japan – was released in 1992 for PC-98, Super Nintendo and Sega Genesis. The series continued up until Taikou Risshiden V, which saw the light of day in 2004 and concluded the franchise. The Taikou Risshiden games set themselves apart from other Koei history simulations through their sandbox-style gameplay that gave players greater freedom in choosing their path to victory. For example, available job classes included not just samurai but also pirates, merchants and blacksmiths, while gamers were free to roam the game’s world at their leisure.

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The Abbey Soundtrack

The Abbey Soundtrack, Emilio de Paz, 2008

A murder in a Medieval monastery? A wise monk, accompanied by a young, inexperienced companion, investigating the crime? It’s hard not to assume that The Abbey’s plot was more than a bit influenced by Name of the Rose. Then again, it’s an intriguing, still original enough set up for an adventure game. The Abbey wasn’t as well-received as Name of the Rose though, with reviewers handing out mostly middling scores.

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The Lost Angelic Chronicles of Frane: Dragons’ Odyssey Soundtrack

The Lost Angelic Chronicles of Frane: Dragons’ Odyssey Soundtrack, Jordan Steven, 2011

With the rise of mobile gaming, one of the most popular genres of the 16-bit era made its triumphant return: 2d JRPGs. Given that these games often came with amazingly varied and ambitious soundtracks, the resurgence of these sorts of games heralded good news for game music fans. One of the best retro-styled JRPG scores of the new millennium turned out to be The Lost Angelic Chronicles of Frane: Dragons’ Odyssey.

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The Path Soundtrack

The Path Soundtrack, Jarboe / Kris Force, 2009

One effect of the resurgence of the indie game scene from the second half of the 2000s onwards was the proliferation of titles that questioned the received knowledge of what actually constitutes a game. An early example of this emerging type of work was The Path, a reframing of the Little Red Riding Hood tale. The Path turns the classic fairy tale into an exploration of female sexuality and the painful process of growing up.

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Torchlight II Soundtrack

Torchlight II Soundtrack, Matt Uelmen, 2012

To call one particular creation the culmination of an artist’s oeuvre can be a risky maneuvre. It suggests linear development across works and prescribes an easily identifiable trajectory. But it’s hard not to fete a work like the Torchlight II soundtrack as the realisation of a specific musical approach. On this album, Matt Uelmen combines all elements that have characterised his previous scores and perfects them.

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Total Annihilation Soundtrack

Total Annihilation Soundtrack, Jeremy Soule, 1997

There’s no doubt that real-time strategy games peaked in popularity during the second half of the 1990s. Their commercial success was kickstarted by the hugely popular Command & Conquer and Warcraft II: Tides of Darkness. For a few years, RTS games were all the rage (not that the genre is dead now). As a result, a glut of similarly-themed products soon hit the shelves. Differentiation – either by quality, innovation or style – became paramount for more ambitious developers.

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TowerFall Ascension Soundtrack

TowerFall Ascension Soundtrack, Alec Holowka, 2014

Created by Alec Holowka’s friend Matt Thorson, multi-player brawler TowerFall proved to be a hit with gamers and critics. In 2014, Thorson ported TowerFall as TowerFall Ascension over to the PlayStation 4 and other systems. Essentially, Ascension is an upgraded version of TowerFall, and this time the music received a dedicated soundtrack release on Bandcamp.

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Turning Point: Fall of Liberty Soundtrack

Turning Point: Fall of Liberty Soundtrack, Michael Giacchino, 2008

No doubt, Michael Giacchino‘s body of work includes some of game music’s best and most influential orchestral scores. Specifically, it’s the Medal of Honor soundtracks that secured his name in the annals of game soundtracks. However, Giacchino’s most fascinating and curious work of game music is another one: the Turning Point: Fall of Liberty soundtrack.

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Ultima VIII: Pagan Soundtrack

Ultima VIII: Pagan Soundtrack, Nenad Vugrinec, 1994

In case the cover art – with its flame-engulfed pentagram – didn’t make it clear enough, Ultima VIII: Pagan was a far darker game than any of its predecessors. From Ultima IV: Quest of the Avatar onward, series creator Richard Garriott had turned the Ultima games into explorations of morality. These pioneering titles didn’t reward gamers for the usual monster killing and treasure hunting that governs RPGs. Instead, Garriott asked players to act virtuously while pondering ethical dilemmas that had no easy answer. Pagan followed the same design philosophy but added a grim twist. The game’s antagonist – the Guardian – transports the Avatar to his own realm Pagan – a blasted wasteland beyond redemption and hope.

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Ultima: Worlds of Adventure 2 – Martian Dreams Soundtrack

Ultima: Worlds of Adventure 2 – Martian Dreams Soundtrack, Dana Glover / Tom Hollingshead / George Sanger, 1991

Back in 1991, dedicated soundtrack releases for Western game soundtracks were pretty much unheard of. One of the pioneers was Origin Soundtrack, a compilation of music from some of Origin‘s high-profile games of 1990/91. Exactly how Origin Soundtrack came about still remains a bit of a mystery. What seems to be confirmed is that the album is an unauthorised collection of music. Its producer and engineer was veteran composer Martin Galway, who had just finished work on Wing Commander II. His aim was probably to showcase his work and that of other composers at Origin on a stand-alone basis.

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Ultimate Rivals: The Court Soundtrack

Ultimate Rivals: The Court Soundtrack, Honnda, 2021

Putting together usually impossible dream teams is something video games have always excelled at, all the way back to King of Fighters ‘94. And so, Ultimate Rivals: The Court‘s concept is simply another take on a proud gaming tradition. The game pits athletes from various pro sports (NHL, NBA, MLB, WNBA, soccer etc.) against each other on the basketball court. With that kind of set-up, you’re not going to get a realistic basketball simulation. Instead, each athlete brings their own unique moves derived from their regular sport to the game, as teams of three face off against each other on futuristic courts. Of course, this kind of over-the-top, arcade-style basketball gameplay will remind seasoned gamers of the immortal NBA Jam franchise – and developer Bit Fry Game Studios were clearly aware of that historical connection, even bringing in NBA Jam announcer Tim Kitzrow.

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Victoria II Soundtrack

Victoria II Soundtrack, Andreas Waldetoft, 2010

Throughout the years, Andreas Waldetoft has been consistently churning out pleasingly melodic scores for Paradox Interactive’s history-themed strategy games. Titles like Europa Universalis III and Europa Universalis Rome showed promise during their moments of unrestrained melodicism. Unfortunately, various issues held these scores back from entirely fulfilling their promise.

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Viva Piñata Soundtrack

Viva Piñata Soundtrack, Grant Kirkhope, 2006

There was a time when Viva Piñata was touted as one of the fledgling Xbox 360’s most important franchises, even accompanied by a tie-in television show. Ultimately, Viva Piñata didn’t go down in game history as anything close to a gamechanger or a classic like some of developer Rare’s previous titles. Still, the game’s colourful graphics and relatively novel nature as a first-person life and gardening simulation left a positive enough impression with reviewers and gamers. In fact, the feedback was strong enough for Rare to release a sequel titled Viva Piñata: Trouble in Paradise, allowing the developers to implement features they had to leave out of the first game due to time pressures.

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