Switch Archives - The Greatest Game Music

Actraiser Renaissance Soundtrack

Actraiser Renaissance Soundtrack, Yuzo Koshiro, 2021

One of the most fondly remembered games of the first generation of SNES titles is Actraiser. Only the fourth SNES game to be released in Japan, Actraiser was developer Quartet’s first project. It was the beginning of an auspicious career that would see the company create some of the most memorable SNES projects. Actraiser was the rare game that offered something unique at the time – a combination of side-scrolling platforming action and city-building simulation. The whole concept was held together by Actraiser’s mythical narrative, pitting a protagonist with god-like powers against the forces of darkness. Unfortunately, 1993’s Actraiser 2 met with a less enthusiastic response, after it focused entirely on (punishingly difficult) platforming. And so, the franchise stopped dead in its tracks, seemingly forgotten by new rightsholder Square Enix – until out of nowhere, the company announced remake Actraiser Renaissance in September 2021.

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Buddy Mission BOND Soundtrack

Buddy Mission BOND Soundtrack, Kosuke Mizukami, 2021

One of early 2021’s most polished Nintendo Switch games was Buddy Mission BOND. With character design by Yusuke Murata (manga author of Eyeshield 21 and One-Punch Man), Buddy Mission BOND’s visuals indeed impressed, particularly during the 2D story sequences, presented in the style of comic book panels. Emphasising the interactions between the quartet of protagonists, Buddy Mission BOND was split into three portions. First, the visual novel segments with multiple-choice dialogue options; then, investigation episodes where the player has to uncover clues; finally, the 3D infiltration segments where players break into the villain’s base, solving puzzles with the information gathered during step two.

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Cook, Serve, Delicious! 3?! Soundtrack

Cook, Serve, Delicious! 3?! Soundtrack, Jonathan Geer, 2020

What do you do if you have delivered two successful instalments of your cooking simulation franchise and are wondering where to take things next? If you are developer Vertigo Gaming, the answer is: don’t change your winning formula, but have some fun with the premise. In other words: the core loop of clicking on the right ingredients at the right time while juggling multiple food orders didn’t change much. Reviewers did point out issues with the game’s UI and occasionally punishing difficulty level, but by large and enjoyed Cook, Serve, Delicious! 3?! (and its appetising art style). Where things took a left turn was with the game’s narrative. Set in a post-apocalyptic USA, your restaurant empire has been blown to pieces and now you’ve hit the road with a couple of helpful robots who’ve let you turn their van into a food truck.

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Demons of Asteborg Soundtrack

Demons of Asteborg Soundtrack, 2021, Jacob Altmann / Roland Sepherulo

The number of retro games that fashion themselves as new Sega Genesis titles isn’t huge, but since the 2010s, there has been a steady trickle of such projects. 2021’s Demons of Asteborg was one of the stronger Genesis look-alikes, combining aspects of classic titles like Ghouls’n Ghosts and Castlevania: Bloodlines – and even a bit of Space Harrier. Developer Neofid Studios seasoned this Gothic platforming action with Metroidvania elements – and following a successful Kickstarter campaign, they even released Demons of Asteborg as a physical Sega Genesis cartridge (in addition to Switch and Steam ports). The game met with positive reviews praising the title’s polished gameplay and lovingly crafted presentation.

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Fast RMX Soundtrack

Fast RMX Soundtrack, Bjulin / Manfred Linzner / Martin Schioeler, 2017

One of gamers’ great frustrations (at least at the timing of writing in 2020) remains Nintendo’s steadfast refusal to revive its classic F-Zero franchise. The last time fans got to enjoy a new F-Zero title dates back to 2004, when F-Zero Climax was released for the Game Boy Advance – only in Japan, adding insult to injury for Western gamers. Thankfully, German developer and Nintendo loyalist Shin’en Multimedia seemed determined to fill the gap with its Fast franchise. Kicking off in 2011 with WiiWare title Fast – Racing League, the franchise went from strength to strength with 2015’s Fast Racing Neo for the WiiU and 2017’s Fast RMX, a launch title for the Nintendo Switch. All three games received applause from reviewers for their stellar presentations and gameplay that created an overwhelming sense of speed, as well as its Ikaruga-style system of polarity switching to receive extra speed boosts.

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Genesis Noir Soundtrack

Genesis Noir Soundtrack, Skillbard, 2021

Few 2021 games were as deliciously high-concept as Genesis Noir. Its gameplay – inspired by point-and-click adventures – was relatively sparse and straightforward. What really set Genesis Noir apart were its unique art style and narrative. True to its title, the game mixed a film noir story with musings on the nature of man, time and the universe. More to the point – Genesis Noir used the events of the Big Bang as a metaphor for the archetypal crime story of a jealous rival trying to kill the protagonist’s former lover. It is now up to our hero No Man – a watchmaker representing time – to alter the course of history, just as the universe is about to come into existence. In the making since 2014, Genesis Noir was well-received by critics upon release, even though several reviewers pointed out that the game resembled an animated movie, allowing only for limited player interaction.

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Knockout City Soundtrack

Knockout City Soundtrack, The Soundlings, 2021

Just about any sport in existence has been immortalised in at least one video game (well, maybe not synchronised swimming – yet). Still, some sports have arguably proven more popular than others once turned into interactive screen entertainment. One of the sports rarely encountered in video games is dodgeball. Maybe that’s because of its inherent simplicity and lack of strategy. However, the same features can also be a strength since they make it easy to transpose dodgeball into new settings and gameplay modes. Case in point: Velan Studios’ Knockout City, which sees teams of players chasing each other through the titular futuristic city, trying to knock each other out by hitting their opponents with a ball. Sure enough, when asked why they went with dodgeball as the game’s core gameplay component, Velan Studios CEO Karthik Bala responded that it was an “intuitive” sport whose concept everyone understands.

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Maglam Lord Soundtrack

Maglam Lord Soundtrack, Chiaki Fujita / Nobuo Kiyota / Kyouko Nakamura / Kiyoto Ohtani, 2021

For its most recent game, developer Felistella didn’t stray too from what worked for them in the past. Mixing elements of visual novels with strategy and action RPGs in their Summon Night and Hyperdimension Neptunia titles, Felistella delivered a similar experience with 2021’s Maglam Lord. In tune with those earlier games’ humorous tone, Maglam Lord follows Killrizark, an all-mighty demon lord sealed away after an epic battle. Every RPG fan worth their salt will be able to guess what happens next – at least up to a point. After many years, Killrizark awakens – weakened and ready to regain his strength by eating as many innocent souls as possible. That is, until he is told he’s been declared an endangered species by the government.

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Speed Limit Soundtrack

Speed Limit Soundtrack, Matija Malatestinic, 2021

There have been many love letters to classic video games of the 1980s and 90s. That means if a developer wants to turn heads with yet another homage, they will have to come up with something special. With Speed Limit, Gamechuck opted for a distillation and combination of staples pulled from the history of arcade games. Their title brought together elements of run and gun platformers, racing games, isometric shooters, vertical shoot ’em ups and even faux-3D flight simulators à la Afterburner. On top of all that, Gamechuck threw in several movie-inspired setpieces. Whether the game was ultimately the best of various worlds is up for debate. Reviews were generally respectful but couldn’t help point out Speed Limit’s brutal difficulty level that made memorisation of oncoming enemy hordes necessary.

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Streets of Rage 4: Mr. X Nightmare Soundtrack

Streets of Rage 4: Mr. X Nightmare Soundtrack, Tee Lopes, 2021

The renaissance of 2d gaming, which kicked off in the 2010s, wasn’t just a boon for indie gaming. Enterprising developers successfully revived classic franchises that had lain dormant – and among them was Streets of Rage. 2020’s Streets of Rage 4 arguably didn’t break any new ground, but it was a skilfully executed take on perenially satisfying beat’em up mechanics. Commercial success followed strong reviews – a year after launching, the game had sold over 2.5 million copies worldwide. Of course, that meant DLC would soon follow and indeed arrived in the shape of Streets of Rage 4: Mr. X Nightmare. The expansion’s main addition was a new Survival Mode (seemingly inspired by roguelikes), three new playable characters and a more challenging difficulty level.

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The Caligula Effect 2 Soundtrack

The Caligula Effect 2 Soundtrack, Various, 2021

Expectations were running high for 2016’s The Caligula Effect – no surprise, given its pedigree. With the involvement of writer Tadashi Satomi and composer Tsukasa Masuko, who had worked on several Persona and Megami Tensei games, the connections to that beloved franchise were strong. Unfortunately, critics’ reaction to The Caligula Effect was tepid. Still, the game made enough money to warrant an improved remake in 2018 and finally a sequel in 2021, developed by Historia. Its plot seems like an almost straight reprise of that found in the first Caligula Effect. An almighty virtuadoll has created a utopian virtual reality (a high school setting) that offers refugee for wounded souls looking to flee reality. A group of students is trying to escape this simulation after one of them has his memories of the real world restored by another virtuadoll. This time, reviewers were more enamoured with the game, but only slightly.

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